Dirk Maggs
Dirk Maggs
Above The Title Productions Ltd for BBC Radio 4
Alan Stafford's new play in which Henry Purcell receives a dream commission – his first full-length opera 'Dido and Aeneas'.
One snag – it's not for the professional theatre – it's for a girls' school in Chelsea...
In 1689 a girls’ boarding school in Chelsea put on a concert. The piece they
performed was a brand new opera – “Dido
and Aeneas”. Not particularly remarkable on the face of it. Except that
this was the first English opera ever to have been written or staged.
Based on historical fact, this fast-moving Restoration romp takes an educated
guess at why one of England’s best-loved composers chose to write his greatest
masterpiece, not for the professional theatre, but for a gaggle of unruly schoolgirls.
For one girl in particular, the arrival of the charismatic Mr Henry Purcell
will change her life forever.
As the date of the open-air show draws near, it is clear that many of the girls’
parents are deeply unhappy with the idea of their daughters behaving like common
actresses. Dancing and singing may be a useful social skill, but wouldn’t the
girls be better employed learning the crafts of homemaking?
| Character |
Actor |
| Robert Glenister |
|
Charlotte |
Naoko Mori |
Josias Priest |
Robert Duncan |
Mrs Priest |
Nichola McAuliffe |
Frances Purcell |
Chloe Annett |
Molly |
Saskia Butler |
Jenny |
Catherine Shepherd |
Charlotte's Father |
Brian Bowles |
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Recording Engineer Gerry O'Riordan |
Alison Mackenzie
Rebecca Pinfield
Studio 3 The Soundhouse Ltd London England
26th & 27th March 2007
Henry Purcell's music from "Dido
& Aeneas" - and some of his other instrumental pieces.
All vocal music was recorded especially for this production.
Singers: Naoko Mori, Catherine Shepherd, Saskia Butler, Robert Duncan
Chorus: Capella Nova conducted by Lindsay Blay
Keyboard: Alan Stafford
Cello: Katherine Joyce
Nothing yet
This is my first venture into period comedy - so it was quite a surprise to
see all the female actors tying long skirts around their jeans, so that the
mike would pick up the swish of material as they moved.
In my previous play with Dirk (All Fingers and Thumbs) I sat in the control box, while Dirk was in the studio with the actors. This time round I was promoted to a seat in the studio, making it easier to add my own suggestions, which Dirk very generously allowed me to do.
It's a fabulous cast and I really admire how they threw themselves into the singing. Naoko has experience in musicals, and Robert Duncan had briefly sung as King Rat in panto. All the same, the music was far from straightforward, but they got it brilliantly - with the help of a strategically placed rear-view mirror, which allowed them to face the mike, while glancing at me on the keyboard for their cue.
Dirk was very quick at picking up anything that wasn't clear in the script, which we quickly amended with the minimum of rewriting. There are numerous shifts of location and snippets of music, which is a lot to pack into 45 minutes. Plus we brought in a 21 strong girls' choir.
Some male writers find it difficult to write for women. I enjoy it - and no-one so far has told me I'm awful at it. My previous play had more females than males - and this one, if you include all the musicians, has 28 women and 4 men.
1 Episode of 45 Minutes
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Catherine Shepherd |
Naoko Mori |
Robert Duncan |
Nichola McAuliffe |
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Chloe Annett |
Saskia Butler |
Robert Glenister |
Brian Bowles |
"A play full of music and delight ... some fine singing from a talented
cast."
Susan Jeffreys, Daily Mail
"Director Dirk Maggs vividly evokes the splendours, spectacles and mishaps
of the 17th-century theatre."
Gillian Reynolds, Daily Telegraph
"Robert Glenister's dryly humorous Purcell provided a pleasing counterpoint
to the 'covey of sweet schoolgirls' that were anything but."
Ciar Byrne, Independent
"a jolly romp ... providing an interesting insight into the social mores
of the time."
Chris Campling, Times
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